Wednesday, October 19, 2011

Oppressed voices ring out in Toni Morrison's 'Desdemona' | The Journal News | LoHud.com | LoHud.com

Toni Morrison Written by Jenny Barchfield The Associated Press Filed Under Life&Leisure She's but a throwaway mention in Shakespeare's "Othello," a one-line reference buried in Act IV of the dense and dark tale of passion and betrayal. But Barbary — the African nurse who raised Othello's ill-fated wife, Desdemona — is at the very center, the beating heart, of Toni Morrison's bold re-imagining of the tragedy. With "Desdemona," a play that opened earlier this month at the Theatre Nanterre-Amandiers in a Paris suburb before traveling to San Francisco and New York, the Nobel laureate probes the hidden suffering and obscured oppression woven into Shakespeare's tale. Directed by California-born Peter Sellars, "Desdemona" is a dialogue between the title character and Barbary

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